Buy airtime on TV screens inside real venues
Blicify sells time on televisions that already hang in shops, restaurants, gyms, salons and waiting rooms. You buy a slot on one named screen, hand over a single video file, and it joins that screen’s loop.
What a slot buys you
The unit of sale is a slot on one screen you picked yourself, not an impression target. You know the room your ad plays in before you spend anything.
15 seconds, or 30, or 45
One slot is 15 seconds. Take one, two or three on a single screen, so 45 seconds is the ceiling there. Anything bigger spreads across more screens.
A place in the loop
A screen carries thirty slots in all, so your ad runs in rotation rather than owning the wall. Only screens that are switched on, with a paired player behind them, are sold.
Booked monthly, prorated
Airtime is bought by the month and renews until you stop it. Start part-way through and you pay for the part you get; cancel and the ad runs out the period you paid for.
Booking a screen reserves airtime and nothing more: the slot stays yours whether or not a video sits in it. How it works puts the sequence in order.
One file is the whole deliverable
There is no brief to fill in, no per-screen export and no trafficking sheet. Make one video at the length you bought, upload it, and the formatting and scheduling are ours.
Two things catch first-timers out. Every screen plays silent, so the audio is removed on upload and nothing in the ad can lean on sound. Some televisions also crop the edge of the picture, so keep text and logos about five percent in.
The file is checked on submit, in your browser and again on our side, because the television plays exactly what you sent with no conversion in between. One that misses the spec comes back with the reason.
What we accept
| Length | 15s, 30s or 45s — matching the slots you bought |
| Format | MP4 or MOV · H.264 or HEVC · SDR (no HDR) |
| Orientation | Landscape or portrait — matched to the screen |
| Resolution | 1080p to 1440p |
| Frame rate | Up to 30 fps |
| Max file size | 100 MB |
| Audio | Stripped on upload — every screen plays silent |
Shape is per screen, not per campaign: a landscape file on a portrait screen is refused.
The rooms your ad plays in
These are not roadside billboards. Every screen hangs where people are already waiting, eating, queuing or sitting still: shop floors and checkout lines, restaurant and café counters, gym and studio walls, salon chairs, clinic and service waiting areas. Dwell time there runs to minutes, which is why 15 seconds is enough to land.
Each screen’s shape, free capacity and price are in the venue map inside your account; the venue types we cover are on Locations.
A person reviews every ad before it airs
Nothing you upload reaches a television on its own. Someone here watches it and approves or rejects it, including the very first one, so budget time for that before a campaign date. A rejection names the reviewer’s reason; you can then send a corrected file, or email us to appeal.
Swapping a video on a screen that is already running is safe: the ad on air keeps playing until the replacement clears review, so there is no dark gap in the loop and no extra charge.
Venues have a say too. Each venue can ask us to block categories of business on its screens — a nail salon’s television normally refuses nail-salon ads — so you name the category when you book, and a screen that will not take it says so before you pay.
Proof that it ran
The usual question about out-of-home advertising is whether the thing ever played. Your account carries a proof-of-play view, month by month: an estimated play count per screen, how many of your screens were active and over how many days, and which are online right now. The count is an estimate, computed from each screen’s verified online time and its loop.
Our team also adds on-site photos of each screen you are on — the part no server log can give you.
You load credit, bookings draw it down
Blicify runs on a prepaid balance rather than a card charged at the till. You top it up, and every booking, every added slot and every monthly renewal comes out of it. No card form appears at checkout.
Every movement lands in one ledger — credit added, new bookings, extra slots, renewals, refunds — and a charge opens the invoice behind it. The history exports as a CSV, one row per screen.
All your bookings renew together. If your balance can’t cover the whole renewal, nothing is charged and every screen pauses at once, releasing its slot. Top up and resume each one; a slot someone else has taken in the meantime may not come back. There is no rate card: each screen carries its own price.
Tell us what you want to run
New sign-ups are paused at the moment. Accounts are opened by the team, so this is the way in — and the same two channels handle bundles, volume buys and dated events.
Tell us how many screens, which areas, your dates and what you sell. Every way of reaching us is on contact; if you own the venue rather than the ad, the other side of this network is hosting a screen.